Does the Bauhaus still contribute to further developments in photographic pictorial languages? What role does the avant-garde photography play for contemporary artists today? At the center of Bauhaus and Photography is the reconstruction of László Moholy-Nagy’s photography-section at the legendary 1929–1930 Werkbund-exhibition Film und Foto (Film and Photo).

A noir, E blanc, I rouge, U vert, O bleu – COLOURS

We associate colour with emotion. Colour facilitates communication, influences our perception and can be used symbolically. But is that all? The role of colour in artistic work is indeed diverse. Yves Klein wanted to remove materiality from his works using International Klein Blue, the colour he created. In the work of the Leipzig painter Hartwig Ebersbach, colour is the source of expressive movement and extreme energy. The catalogue documents the transformative power of colour through a great range of international contemporary art movements: from the structural investigations of Minimal Art and Colour-Field Painting, to the symbolic analyses of Arte Povera and Conceptual Art, and through the rise of colour photography and experimental colour film and their development into artistic media. Using selected works and texts, the publication presents artists who use colour as a conceptual component of their art practice.

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"A noir, E blanc, I rouge, U vert, O bleu – COLOURS"

March 2007

ISBN 978-3-86678-060-6

24,00 x 32,00 cm

168 Pages

131 colored illustrations

Softcover, bound, without dust-jacket, without slipcase

Languages: German, English

Annegret Laabs und Uwe Gellner, Kunstmuseum Kloster Unser Lieben Frauen Magdeburg

Rupprecht Geiger, Yves Klein, Beat Streuli and with numerous interviews of the artists
The illustrated book was published on the occasion of the exhibition „A noir, E blanc, I rouge, U vert, O bleu – Farben“, 2006/2007, Kunstmuseum Kloster Unser Lieben Frauen Magdeburg.