100 Years of the Bauhaus: On the occasion of the anniversary, the LWL-Museum für Kunst und Kultur in Münster is presenting the exhibition Bauhaus and America.


Adam Saks

Elephant Island
In beautiful abandon Adam Saks’ most recent ink drawings unleash an adventurous delirium of crude seafaring romanticism, grotesque chimeras, serpentine blazonry and shredded script, exotic oddity museums, compendiums of heraldry and emblemata, of ‘Heia, Safari’, disconcerting scenes of torture and colonial fantasies, comics, tattoo magazines, disreputable show girls or military devotional objects.
Compliably he lets the found motifal flotsam collide and clash as if seen through a psychedelic kaleidoscope. Comforting loathing and fearful idylls blur just as appraisingly as appallingly into one another, are painterly collaged, painted off and clinched together all anew.
Even the beholder’s gaze is ravished and tossed about upon these rough paintings – now stranding here, now somewhere other. Motifs wander and slip away, are torn and beaten and bawled out. Adam Saks bares himself with heinous abandon in his pictures, and these crotchety, awkward, nailed-down and ornery, over-packed and gracefully bizarre escapades bear themselves with heinous wantonness: Blood, sweat, and watercolours!

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"Adam Saks"

October 2009

ISBN 978-3-86678-356-0

21,00 x 29,70 cm

40 Pages

40 b/w illustrations

Broschur, bound

Languages: Danish, German, English

Schäfer Grafisk Værksted, Dänemark
Text by
Christian Malycha
The illustrated book was published on the occasion of the exhibition „Adam Saks - Mexican Standoff“, 6 to 29 November 2009, Schäfer Grafik, Copenhagen.

Further publications of the artist