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Two characteristics distinguish artist Armin Weinbrenner’s most recent works, presented in this publication: the power of colour and the charm of the surface – notched, furrowed and chapped raw in his wooden painted relief panels; glossy and smooth as glass in the verre églomisé; colour-saturated and multi-layered in the woodcuts.
In iridescent streaks of colour, with fractured contours, in scriptural lines or gesturally vibrant bands of colour of illuminating clarity, Weinbrenner asserts the right to colour –and his unique position in the broad expanse of abstraction.