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It is the human figure, its formal reduction and expression that forms one core of Friedrich Einhoff’s work: equally important are elements that are not immediately representational. Einhoff’s inspirations from the history of painting and other sources, like photographs from newspapers and magazines, are barely perceptible in the visual results Them motif – the figure – is drawn into the process of painting by the art practice of the painter, and is ultimately absorbed.
Einhoff is presenting new works from 2011/2012 with the title of Dunkelkammer (Darkroom).