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Kerstin Vornmoor’s art is based on drawings that she already in part completed years ago. Faces, forms, and ornaments appear again and again in different contexts. They fill the space: reproduced, joined together hundredfold, and mounted on fabric panels. Ornamental forms make reference to the common features of Western and Oriental art. In the partly large-format oil paintings, painterly and printmaking techniques merge so as to sound out the boundaries between line, area, and space anew. The book presents exhibition and studio views. (Dr. Barbara Uppenkamp)