Martin Voßwinkel

The works of Martin Voßwinkel (*1963) stand out from the once programmatically defined canon of Concrete Art above all as a result of their sensuality. The have a distinctive dynamic between an abstract experience of color and a concrete experience of space. Martin Voßwinkel’s picture concepts open up a dialogue with urban space, and the real world thus once again becomes a starting point, reference framework, and integral component of Concrete Art. The publication provides extensive insights into Voßwinkel’s works in public space, his installations, and his new series “screenshot for.”