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Thomas Zipp’s artistic works always contain a diverse range of historic, sociological and psychological references, opening reservoirs of unconsciousness and linking together to form a secretly uncanny surreal existence.
This documentation shows the transformation of the Kunstraum Innsbruck into a psychedelic and ecstatic laboratory: a setting that uses sculptures, drawings, portraits, Hammond organs and other objects – arranged in a type of chapel – and searches for its inner sound through music and stage performance. Other key elements include oracles and divination and a Koren or God Helmet, as it is known, which transmits computer-controlled magnetic pulses to the visitor.
This documentation shows the transformation of the Kunstraum Innsbruck into a psychedelic and ecstatic laboratory: a setting that uses sculptures, drawings, portraits, Hammond organs and other objects – arranged in a type of chapel – and searches for its inner sound through music and stage performance. Other key elements include oracles and divination and a Koren or God Helmet, as it is known, which transmits computer-controlled magnetic pulses to the visitor.