“Things can only be diverse and should be diverse,” wrote Donald Judd in 1964 about the art scene in New York, and hence rejected a one-dimensional ordering of art history in favor of an open encounter with works of art.

Elisabeth Masé

Die Unsterblichen
In her most recent works, produced since 2001, Elisabeth Masé (*1959 Basel) has investigated the theatrical portrait. Her portraits, without the context of their usual environment, appear in strange, imaginary scenarios, occasionally in the form of unfathomable, puzzling, curious beings. Their artificial poses and appropriated attitudes, fantastic costumes and deformations cancel out any attempt at mere portraiture, mere depiction. They exude a symbolist, surreal, aura. Masé often uses allegories, traditional topoi and other references to art history. In her group portraits, there is a pronounced – and indivisible – relational intermeshing between her personae.
Masé’s painting brings new energy to the centuries-old tradition of portrait painting, creating works radically different from other post-war art.

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"Elisabeth Masé"

March 2007

ISBN 978-3-86678-058-3

21,00 x 22,50 cm

96 Pages

52 colored illustrations

Hardcover, bound, without dust-jacket, without slipcase

Languages: German

Stefanie Heraeus, , Bielefelder Kunstverein und
Jutta Hülsewig-Johnen, , Kunsthalle Bielefeld

Frau Hülsewig-Johnen, Jan Hoet, Stefanie Heraeus, and Achmed Haidara
The illustrated book was published on the occasion of the exhibition “Elisabeth Masé. Die Unsterblichen “, 2007, Bielefelder Kunstverein.