Does the Bauhaus still contribute to further developments in photographic pictorial languages? What role does the avant-garde photography play for contemporary artists today? At the center of Bauhaus and Photography is the reconstruction of László Moholy-Nagy’s photography-section at the legendary 1929–1930 Werkbund-exhibition Film und Foto (Film and Photo).

Hackstücke No. 1. Ernst Ludwig Kirchner:

Three Nudes in the Forest
The Wilhelm-Hack-Museum is launching a new series of exhibitions and publications entitled Hackstücke (literally ‘Hack pieces’), which examine more closely the origin and impact of the main works in the museum’s own collection.
Ernst Ludwig Kirchner’s painting “Three Nudes in the Forest“ (1934/35) is the focus of the first project in this series. This work is one of the most important examples of Kirchner’s later abstract style. It concludes a creative process that lasted several years during which Kirchner developed his ideas using photographs, drawings and woodcuts before ultimately transferring them onto canvas. Both the exhibition and catalogue reconstruct the fascinating history of the painting and provide a wonderful insight into the artistic practice of Ernst Ludwig Kirchner.

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"Hackstücke No. 1. Ernst Ludwig Kirchner:"

March 2010

ISBN 978-3-86678-370-6

21,50 x 22,50 cm

64 Pages

42 colored and 6 b/w illustrations

Hardcover, bound, without dust-jacket, without slipcase

Languages: German

Reinhard Spieler und Alexander B. Eiling

Alexander B. Eiling, Herbert Nolden and Reinhard Spieler
The illustrated book was published on the occasion of the exhibition „Ernst Ludwig Kirchner. Drei Akte im Walde 1934/35“, 5 March to 24 May 2010, Wilhelm-Hack-Museum, Ludwigshafen.