Does the Bauhaus still contribute to further developments in photographic pictorial languages? What role does the avant-garde photography play for contemporary artists today? At the center of Bauhaus and Photography is the reconstruction of László Moholy-Nagy’s photography-section at the legendary 1929–1930 Werkbund-exhibition Film und Foto (Film and Photo).

Mario Marino

born in Austria in 1967

On his travels through Europe, Africa, Cuba, India, Nepal, and Mexico, the photographer created intensive photo series that are sustained in particular by his emphatic visual vocabulary. In the past years, Mario Marino’s works have been exhibited nationally and internationally in numerous galleries and museums, including in Amsterdam, Basel, Beijing, Berlin, Bristol, Brussels, Dubai, Edinburgh, Essen, Geneva, Cologne, Miami, and Munich. Mario Marino’s and his photographs have also been written about in a wide range of national and international publications: among them, Artnet, the British Journal of Photography, Daily Photo News, the Evening Standard, The Washington Post, The Guardian, Profi FotoPhoto Zoom Magazine, The Independent, Die Welt, and Vogue.

Lives and works as a freelance photographer in Germany.


Publications of the artist

Program series