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Does the Bauhaus still contribute to further developments in photographic pictorial languages? What role does the avant-garde photography play for contemporary artists today? At the center of Bauhaus and Photography is the reconstruction of László Moholy-Nagy’s photography-section at the legendary 1929–1930 Werkbund-exhibition Film und Foto (Film and Photo).
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RICOCHET #2: Samantha Dietmar

ÜBER VIELES. UND NICHTS. / ABOUT A LOT. ABOUT NOTHING.
Photographer Samantha Dietmar creates a visual diary with her camera, retaining impressions of her travels and of everyday life in Germany. In the photographic series “ÜBER VIELES. UND NICHTS.” she directs her focus towards insignificant occurrences and her conceptual photographs address the consolidation of small scenes and events from the everyday external world: poetic, disturbing, complex, inherently contradictory, critical of society – but always from Dietmar’s individual point of view. Her foray through life reveals a very personal world of images, which nevertheless allow the viewer to establish casual yet trenchant connections between the diverse genres and motifs. The individual pictures themselves give rise to stories that are both clear-cut and ambiguous.

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"RICOCHET #2: Samantha Dietmar"

March 2010

ISBN 978-3-86678-402-4

21,70 x 28,50 cm

48 Pages

2 colored and 28 b/w illustrations

Softcover, bound

Languages: German, English

Editor
Museum Villa Stuck

Text by
Michael Buhrs, Sabine Schmid
Events
The illustrated book was published on the occasion of the exhibition „Ricochet #2. Samantha Dietmar“, 22 April to 27 June 2010, Museum Villa Stuck, München

Further publications of the artist