The wealth of possible interpretations of the most prominent Jewish figure of legend, the Golem, in one publication.

Mamma Andersson

Dog Days
In addition to personal life experiences, Mamma Andersson draws on a number of other sources for her paintings, including northern landscape painting of the 19th and 20th century, interiors from forensic investigations and scenes from theatre brochures.
The shift from meticulous attention to detail to gestural and abstract work lends the paintings an uncannily suggestive power. Thus, the portrayal of an everyday walk becomes a family drama, a children’s room is revealed as a place of loneliness and destruction. The artist is concerned at all times with life in its entirety: a reflection of the contemporary human condition.
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"Mamma Andersson"

January 2012

ISBN 978-3-86678-656-1

30,00 x 24,00 cm

104 Pages

41 colored and 6 b/w illustrations

Hardcover, bound

Languages: German, English


Martin Hentschel

preface by
Martin Hentschel

Elfriede Jelinek and Martin Hentschel

graphic design
Harald Richter

Exhibition: “Mamma Andersson. Dog Days”, 23 October to 5 February 2011, Kunstmuseen Krefeld, Museum Haus Esters